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Entrepreneur's Corner

When Talent Meets Table: NCBA’s Take On Building Careers That Last

BY Soko Directory Team · July 27, 2026 11:07 am

There’s a moment in every creative or sporting career when raw talent stops being enough. You can have the best voice in the room, the smoothest golf swing on the course, or a mixtape that’s blowing up on every playlist. Still, if nobody’s taught you how to read a contract, budget a windfall, or plan for the years when the applause quiets down, that talent stays exactly what it started as: potential, never quite cashed in.

That was the thread running through a recent sit-down on Capital FM’s The Jam with June & Martin, where NCBA Group brought together an unlikely but fitting trio: a marketing and citizenship executive, a music producer turned mentor, and a professional golfer. Different worlds, same conversation: how do we stop treating talent like a lottery ticket and start treating it like an asset?

The Numbers Nobody Talks About

Kenya’s creative sector isn’t some fringe hustle anymore. It’s pulling in roughly 5 percent of the country’s GDP, a figure that surprises people who still picture the arts as a side gig rather than an industry. The panel’s point was simple: if creative work is already generating that kind of value, why does it remain so hard for artists to walk into a bank and be taken seriously as earners? Part of the answer lies in valuation. Banks know how to assess a title deed or a business’s inventory. They’re less practiced at looking at a catalogue of songs, a brand, or an athlete’s future earning potential and seeing collateral. Building models that can price intellectual property and skill the way they price property is, as the guests put it, one of the next big frontiers for financial inclusion in Kenya.

Money Skills Nobody Teaches in Studio Sessions

Motif Di Don, founder of Elev8 and a working music producer, didn’t romanticize the industry. He was blunt about the mechanics most young artists never learn until they’ve already been burned: publishing rights, split sheets, royalty structures, the fine print in contracts that determines whether a hit song actually pays its creator.

Through NCBA Elevate, over 30 emerging artists are now getting both studio-level production support and the unglamorous business education that keeps a career alive past the first viral moment. He also spoke about being invited to join the Recording Academy, framing it not as a personal trophy but as proof that structured backing can genuinely open global doors for Kenyan talent.

Discipline Looks the Same in Every Field

Professional golfer Njoroge Kibugu brought a different but complementary angle. Golf doesn’t reward flashes of brilliance the way a hit single might; it rewards showing up, day after day, and doing the unglamorous work when nobody’s watching. He spoke candidly about staying grounded after early success, about humility being as important as skill, and about the quiet responsibility that comes with being watched by younger players who are deciding whether this path is even possible for them.

Ubuntu as a Business Philosophy

Threading it all together was Nelly Wainaina, who leads marketing, communications and citizenship at NCBA. She grounded the entire conversation in Ubuntu, “I am because we are”, arguing that a bank’s success and a community’s wellbeing aren’t separate stories. Investing in youth, in creatives, in athletes, isn’t charity bolted onto a balance sheet; it’s how a business earns its place in the society it operates in.

Strip away the industry jargon and what’s left is refreshingly simple. Talent gets you noticed. Financial literacy, mentorship, and institutional support are what keep you in the room. The panel’s consensus was that nobody builds a lasting career alone, not the golfer, not the producer, not the twenty-year-old with a guitar and a dream. Somebody has to open a door, explain the fine print, and occasionally believe in the math before the market does.

Read Also: Banking Without Borders: How NCBA Is Rewriting the Rules of Digital Finance in East Africa

Watch the full interview here: https://www.youtube.com/watch?v=MMF1ura_Tlg