NCBA’s Elevate Program: How Kenya’s Talented Youth Can Finally Monetize Their Gifts and Build Wealth in Africa’s KSh 5 Trillion Gig Economy

Kenya and Africa are overflowing with raw, unpolished brilliance. From music to digital art, from content creation to gaming, from fashion to photography, our continent produces young creative geniuses every single day. Yet for decades, this talent has been left to survive on hope instead of investment. The result has been painful: rising youth unemployment, hopelessness, crime, and wasted potential. But today, a bold shift is happening. NCBA Bank has stepped into the arena with Elevate, a product specifically built to help the millions of young Africans monetize their talent, access financial tools, and finally build real, long-term wealth through their gifts.
Across Kenya alone, the digital and gig economy is now valued at over KSh 400 billion, according to the Kenya Private Sector Alliance (KEPSA). TikTok boasts over 12 million monthly users in Kenya, YouTube’s partner program is paying creators more than ever, and Africa’s freelance market is growing at over 25% annually, faster than most regions in the world. Despite this explosive growth, 70% of Kenyan creators have no access to banking products tailored to irregular, creative income, forcing them into digital loans, shylocks, or giving up on their talent altogether. NCBA saw this gap—and decided to build a solution designed uniquely for young Africans.
NCBA Elevate is not just a bank account. It is Kenya’s first major attempt to bank the creative mind, not just the salaried worker. Elevate understands that creators earn differently—one TikTok challenge can go viral and pay more in a day than a formal job pays in a month. A music track can explode on Spotify and turn a bedroom artist into a global sensation. NCBA Elevate provides tools for this new digital generation: instant access to payments, transparent digital financial records, saving tools, creative community events, and income-matching opportunities that help young people build bankability even without formal employment.
Read Also: NCBA Elevates Affluent Banking With Exclusive “Meet, Mingle & Money Talks” Series
But beyond banking, NCBA decided to do something unprecedented in Kenya: invest directly into talent discovery. Through the Elev8 Live platform, NCBA is partnering with award-winning producer Motif Di Don to find musicians across the country—whether you are in Kibra, Kisii, Eldoret, Mombasa, Webuye, or Lodwar. No expensive studio. No producer connections. No record label gatekeepers. Just your creativity, your voice, and your phone camera. For the first time, a bank is saying: “We believe in your gift. Let us help you monetize it.”
The mechanics are beautifully simple. If you are a young musician dreaming of being heard, record a TikTok video singing or rapping, upload it with the hashtag #NCBAElev8Live, and wait. If Motif likes what he hears, he will invite you for a fully-funded studio session—production, mixing, mastering, everything covered. It is the democratization of music. It is the collapsing of barriers. It is the unlocking of Kenya’s next generation of stars, not through luck, but through deliberate investment.
This matters because Africa’s cultural influence is exploding globally. Nigerian Afrobeats is worth over $500 million a year. The African animation industry is projected to hit $1 billion by 2030. Kenya’s content creators are now earning millions from TikTok, Facebook Reels, YouTube Shorts, and brand partnerships. The world is hungry for African stories, African aesthetics, African sound—and Kenyan youth sit right at the centre of this global wave. NCBA Elevate positions them not just to participate, but to prosper.
Banking with NCBA Elevate also solves a big problem creators rarely talk about: financial visibility. Brands and investors increasingly want creators who can show track record, payments history, and tax-ready financial statements. Elevate automatically helps creators organize income, build a saving culture, and show stability—unlocking opportunities for brand deals, credit, investors, and long-term financial growth. This is where the difference between surviving as a creator and thriving as a creative entrepreneur is made.
NCBA has also observed the silent crisis: 50% of Kenya’s freelancers and creators lose money because they have no structured way to manage payouts. Elevate plugs this hole. With digital banking, instant payments, budgeting tools, savings pockets, insurance linkages, and the ability to receive money from multiple platforms, Elevate becomes the financial engine powering Kenya’s growing creative class. For every young Kenyan who has ever said, “I just need someone to believe in my talent,” this is the opportunity.
Most importantly, NCBA Elevate gives youth one powerful message: “Your talent is bankable. Your craft is a career. Your creativity is an economic asset.” At a time when unemployment sits above 35% for Kenyan youth, programs like Elevate are not just helpful—they are necessary. Talent is the new currency. Creativity is the new employment. And digital skills are the new passport to prosperity. Every young Kenyan who wants to build wealth from their talent—from music to content creation, photography, dance, design, editing, or gaming—should bank with NCBA because this is the first bank that truly built a product for them.
To join NCBA Elevate—especially if you’re a musician looking for a breakthrough—the process is incredibly simple and fully democratized. All you need to do is record a short video of yourself singing, rapping, or performing, then upload it on TikTok using the hashtag #NCBAElev8Live. That single step enters you into the Elevate talent pipeline. NCBA’s partner, award-winning producer Motif Di Don, personally reviews submissions, and if he likes your sound, you’ll receive a direct call inviting you for a fully covered professional studio session. No fees, no gatekeepers, no industry connections needed—just your talent, your camera, and the courage to share your gift with the world. This is how NCBA Elevate opens the door for every young Kenyan to turn creativity into opportunity.
About Steve Biko Wafula
Steve Biko is the CEO OF Soko Directory and the founder of Hidalgo Group of Companies. Steve is currently developing his career in law, finance, entrepreneurship and digital consultancy; and has been implementing consultancy assignments for client organizations comprising of trainings besides capacity building in entrepreneurial matters.He can be reached on: +254 20 510 1124 or Email: info@sokodirectory.com
- January 2025 (119)
- February 2025 (191)
- March 2025 (212)
- April 2025 (193)
- May 2025 (161)
- June 2025 (157)
- July 2025 (227)
- August 2025 (211)
- September 2025 (270)
- October 2025 (297)
- November 2025 (183)
- January 2024 (238)
- February 2024 (227)
- March 2024 (190)
- April 2024 (133)
- May 2024 (157)
- June 2024 (145)
- July 2024 (136)
- August 2024 (154)
- September 2024 (212)
- October 2024 (255)
- November 2024 (196)
- December 2024 (143)
- January 2023 (182)
- February 2023 (203)
- March 2023 (322)
- April 2023 (297)
- May 2023 (267)
- June 2023 (214)
- July 2023 (212)
- August 2023 (257)
- September 2023 (237)
- October 2023 (264)
- November 2023 (286)
- December 2023 (177)
- January 2022 (293)
- February 2022 (329)
- March 2022 (358)
- April 2022 (292)
- May 2022 (271)
- June 2022 (232)
- July 2022 (278)
- August 2022 (253)
- September 2022 (246)
- October 2022 (196)
- November 2022 (232)
- December 2022 (167)
- January 2021 (182)
- February 2021 (227)
- March 2021 (325)
- April 2021 (259)
- May 2021 (285)
- June 2021 (272)
- July 2021 (277)
- August 2021 (232)
- September 2021 (271)
- October 2021 (304)
- November 2021 (364)
- December 2021 (249)
- January 2020 (272)
- February 2020 (310)
- March 2020 (390)
- April 2020 (321)
- May 2020 (335)
- June 2020 (327)
- July 2020 (333)
- August 2020 (276)
- September 2020 (214)
- October 2020 (233)
- November 2020 (242)
- December 2020 (187)
- January 2019 (251)
- February 2019 (215)
- March 2019 (283)
- April 2019 (254)
- May 2019 (269)
- June 2019 (249)
- July 2019 (335)
- August 2019 (293)
- September 2019 (306)
- October 2019 (313)
- November 2019 (362)
- December 2019 (318)
- January 2018 (291)
- February 2018 (213)
- March 2018 (275)
- April 2018 (223)
- May 2018 (235)
- June 2018 (176)
- July 2018 (256)
- August 2018 (247)
- September 2018 (255)
- October 2018 (282)
- November 2018 (282)
- December 2018 (184)
- January 2017 (183)
- February 2017 (194)
- March 2017 (207)
- April 2017 (104)
- May 2017 (169)
- June 2017 (205)
- July 2017 (189)
- August 2017 (195)
- September 2017 (186)
- October 2017 (235)
- November 2017 (253)
- December 2017 (266)
- January 2016 (164)
- February 2016 (165)
- March 2016 (189)
- April 2016 (143)
- May 2016 (245)
- June 2016 (182)
- July 2016 (271)
- August 2016 (247)
- September 2016 (233)
- October 2016 (191)
- November 2016 (243)
- December 2016 (153)
- January 2015 (1)
- February 2015 (4)
- March 2015 (164)
- April 2015 (107)
- May 2015 (116)
- June 2015 (119)
- July 2015 (145)
- August 2015 (157)
- September 2015 (186)
- October 2015 (169)
- November 2015 (173)
- December 2015 (205)
- March 2014 (2)
- March 2013 (10)
- June 2013 (1)
- March 2012 (7)
- April 2012 (15)
- May 2012 (1)
- July 2012 (1)
- August 2012 (4)
- October 2012 (2)
- November 2012 (2)
- December 2012 (1)
