TECNO Kicks Off ‘100 Portraits of Becoming’ in Kenya to Champion Authentic Human Stories in the AI Era

As AI increasingly shapes how people are seen and represented, an urgent question emerges: how do we ensure technology reflects humanity in all its complexity?
TECNO believes the answer starts with a simple principle — technology should help the world see people more truthfully. With that belief, TECNO and Brazilian visual artist Angélica Dass launch “100 Portraits of Becoming,” a two-year initiative that covers five countries and begins today in Nairobi, Kenya.
Co-created with Angélica Dass, the “100 Portraits of Becoming” initiative aims to capture 100 authentic portraits of individuals worldwide and document their unique journeys of becoming. These portraits — spanning diverse backgrounds — serve as a testament to the human tapestry and spark a global cultural conversation surrounding authentic representation, identity, dignity, and human becoming in the age of AI.
This collaboration builds on a mutual commitment to recognizing the true diversity of human life, bringing together TECNO’s inclusive imaging innovation, which helps individuals be represented more fairly, and Dass’s human-centered approach to portraiture.
“Every image shapes assumptions — why it matters, who matters, and how people are understood. That makes fair and accurate representation increasingly important in the AI era. But beyond representation lies a bigger question: who is the real person behind the image?” said Jack Guo, General Manager at TECNO. “Through this project, we want to move beyond representation as technical accuracy alone and explore representation as recognition — enabling technology not only to capture people faithfully, but to help people feel truly seen. By moving beyond bias, labels, and stereotypes, we hope to build a future where technology reflects people more authentically and allows the world to understand them more fully. Truthful representation is the foundation of genuine human understanding.”
“As a photographer, I realize that I can be a channel for others to communicate. The ‘100 Portraits of Becoming’ initiative with TECNO creates such a channel for people to speak for themselves and be seen on their own terms. That is why this collaboration with TECNO felt meaningful to me,” said Angélica Dass.
“My portrait practice has always been less about documenting appearance and more about creating space for people to exist beyond assumptions. What moved me about this collaboration is the shared vision and the possibility of bringing that intention into a medium used by millions every day. I am excited that this initiative is not about defining people — it is about allowing identity to remain open, layered, and human. Because being visible is not the same as being understood. True recognition begins when we are seen as we really are.”
Angélica Dass: Seeing Humanity Beyond Skin Tones
The collaboration with Angélica Dass is a natural extension of TECNO’s vision and Dass’s exploration of how technology, culture, and personal stories come together to create truthful forms of human representation.
As an award-winning Brazilian-Spanish visual artist best known for Humanæ — a global portrait series that challenges conventional ideas of racial identity — Angélica Dass recognized long before others that skin tones are more than just colors; they are reflections of unique cultures and individual identities. Her work emphasizes that every person deserves to be viewed as an individual rather than a category.
In her practice, Dass uses portraiture to let the individuality of her subjects come through, treating skin tone not as a label, but as an entry point into personal narratives. Her impact resonates far beyond traditional galleries; her 2016 TED Talk on skin and identity has reached over two million viewers, and her work has been showcased at leading platforms and institutions including the World Economic Forum, UNESCO, the Migration Museum in London, and the Montreal Museum of Fine Arts, while appearing in publications such as National Geographic, TIME, and Foreign Affairs.
“One thing I appreciate about the ‘100 Portraits of Becoming’ initiative is our shared belief that portraiture is not simply about recording appearance visually. It is a way of questioning assumptions, challenging labels, and creating space for people to be seen and understood beyond stereotypes.”
From 100 Portraits to 100 Ways of Seeing Humanity in Five Countries
Through “100 Portraits of Becoming,” Dass will photograph 100 individuals across five countries, beginning in Kenya. Participants, who register via a dedicated global website, are photographed in natural light, without filters, and in attire of their own choosing to ensure maximum authenticity.
In addition to stepping in front of the lens, each individual will share their personal stories of growth and evolution, illustrating how they have navigated various cultural and societal shifts to become who they are today.
These portraits and narratives will be featured on the project’s website, creating a “Living Archive.” This digital repository will serve as a space where individuals from all walks of life can be seen, heard, and understood as part of a broader human story. The archive aims to sustain a cultural conversation about dignity and identity as AI continues to redefine representation.
TECNO Universal Tone: Expanding What Technology Can See
“100 Portraits of Becoming” will be captured on the TECNO CAMON 50 Ultra, powered by TECNO Universal Tone Technology, which serves as the technological foundation for the project’s commitment to truthful representation.
Historically, mainstream AI models and imaging algorithms have often been trained on datasets that conform to a narrow range of aesthetics, leaving them unable to reflect the full diversity of humanity. As a result, people with non-fair skin tones have too often been misrepresented in mobile photography — over-brightened, underexposed, or rendered in ways that do not reflect how they truly appear.
Launched in 2023, TECNO Universal Tone is the industry’s most advanced AI-powered full-spectrum skin tone imaging technology. It integrates TECNO’s industry-benchmark multi-skin-tone color card featuring 372 skin tones and expanding, together with the industry’s largest and most accurate skin tone database.
By supporting more accurate capture of the full spectrum of human skin tones, Universal Tone enables the portraits in this initiative to begin from a place of fairness and authenticity. It helps ensure that each subject is not corrected toward a narrow standard, but represented with the dignity, nuance, and truthfulness that the project demands.
From Nairobi to the World: One Hundred Ways to See Humanity
“100 Portraits of Becoming” begins in Kenya for a reason. Home to one of the world’s youngest populations and often described as the “Silicon Savannah,” Kenya represents a future that is already being shaped by the new generation — not elsewhere, but here. From pioneering mobile financial inclusion to advancing local innovation across industries, Kenya has long challenged assumptions about where progress begins. Yet representation often lags behind reality, giving way to assumptions. In global media and increasingly in AI-generated imagery, places like Kenya are still too often framed through inherited narratives rather than lived complexity.
In Kenya, this project starts from a different belief: people should not be defined by the stories told about them, but by the stories they choose to tell themselves. The inaugural portraits reflect that spirit — featuring entrepreneurs, farmers, dancers, artists, and daily creators whose lives cannot be reduced to a single narrative. They are not catching up with the future. They are helping define it.
“People are always quick to tell you what you are and where you fit,” said Alexander Odhiambo, a Kenyan participant in “100 Portraits of Becoming” and co-founder of Solutech Limited, an enterprise software company serving manufacturers and distributors across Africa. “I stopped waiting for that. The story that counts is the one I’m writing myself.”
What begins in Nairobi doesn’t end here. Over the next two years, “100 Portraits of Becoming” travels to the Philippines, Saudi Arabia, Türkiye, and Brazil — building a living archive of people, identities, and the moments that define them. The first portraits and stories go live online in early August, marking the start of the full campaign rollout.
The future of imaging is not only about seeing more. It is about understanding more. Through one technology, five countries, and one hundred portraits, “100 Portraits of Becoming” offers one hundred ways to see humanity, one story at a time.
Read Also: TECNO Launches A Challenge To Have Kenyans Win Ksh 1 Million
About Soko Directory Team
Soko Directory is a Financial and Markets digital portal that tracks brands, listed firms on the NSE, SMEs and trend setters in the markets eco-system.Find us on Facebook: facebook.com/SokoDirectory and on Twitter: twitter.com/SokoDirectory
- January 2026 (220)
- February 2026 (248)
- March 2026 (287)
- April 2026 (208)
- May 2026 (191)
- June 2026 (236)
- July 2026 (67)
- January 2025 (119)
- February 2025 (191)
- March 2025 (212)
- April 2025 (193)
- May 2025 (161)
- June 2025 (157)
- July 2025 (227)
- August 2025 (211)
- September 2025 (270)
- October 2025 (297)
- November 2025 (230)
- December 2025 (220)
- January 2024 (238)
- February 2024 (227)
- March 2024 (190)
- April 2024 (133)
- May 2024 (157)
- June 2024 (145)
- July 2024 (136)
- August 2024 (154)
- September 2024 (212)
- October 2024 (255)
- November 2024 (196)
- December 2024 (143)
- January 2023 (182)
- February 2023 (203)
- March 2023 (322)
- April 2023 (297)
- May 2023 (267)
- June 2023 (214)
- July 2023 (212)
- August 2023 (257)
- September 2023 (237)
- October 2023 (264)
- November 2023 (286)
- December 2023 (177)
- January 2022 (293)
- February 2022 (329)
- March 2022 (358)
- April 2022 (292)
- May 2022 (271)
- June 2022 (232)
- July 2022 (278)
- August 2022 (253)
- September 2022 (246)
- October 2022 (196)
- November 2022 (232)
- December 2022 (167)
- January 2021 (182)
- February 2021 (227)
- March 2021 (325)
- April 2021 (259)
- May 2021 (285)
- June 2021 (272)
- July 2021 (277)
- August 2021 (232)
- September 2021 (271)
- October 2021 (304)
- November 2021 (364)
- December 2021 (249)
- January 2020 (272)
- February 2020 (310)
- March 2020 (390)
- April 2020 (321)
- May 2020 (335)
- June 2020 (327)
- July 2020 (333)
- August 2020 (276)
- September 2020 (214)
- October 2020 (233)
- November 2020 (242)
- December 2020 (187)
- January 2019 (251)
- February 2019 (215)
- March 2019 (283)
- April 2019 (254)
- May 2019 (269)
- June 2019 (249)
- July 2019 (335)
- August 2019 (292)
- September 2019 (306)
- October 2019 (313)
- November 2019 (362)
- December 2019 (318)
- January 2018 (291)
- February 2018 (213)
- March 2018 (275)
- April 2018 (223)
- May 2018 (235)
- June 2018 (176)
- July 2018 (256)
- August 2018 (247)
- September 2018 (255)
- October 2018 (282)
- November 2018 (282)
- December 2018 (184)
- January 2017 (183)
- February 2017 (194)
- March 2017 (207)
- April 2017 (104)
- May 2017 (169)
- June 2017 (205)
- July 2017 (189)
- August 2017 (195)
- September 2017 (186)
- October 2017 (235)
- November 2017 (253)
- December 2017 (266)
- January 2016 (164)
- February 2016 (165)
- March 2016 (189)
- April 2016 (143)
- May 2016 (245)
- June 2016 (182)
- July 2016 (271)
- August 2016 (247)
- September 2016 (233)
- October 2016 (191)
- November 2016 (243)
- December 2016 (153)
- January 2015 (1)
- February 2015 (4)
- March 2015 (164)
- April 2015 (107)
- May 2015 (116)
- June 2015 (119)
- July 2015 (145)
- August 2015 (157)
- September 2015 (186)
- October 2015 (169)
- November 2015 (173)
- December 2015 (205)
- March 2014 (2)
- March 2013 (10)
- June 2013 (1)
- March 2012 (7)
- April 2012 (15)
- May 2012 (1)
- July 2012 (1)
- August 2012 (4)
- October 2012 (2)
- November 2012 (2)
- December 2012 (1)
